Cathy Wilkes

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These are the top shows to see in January – from an extensive display of Indigenous Australian stories in Plymouth to a joint Renée Green retrospective in Berlin

 

BY frieze |

These are the best exhibitions of the year – from a chronically overdue retrospective of Paula Rego to a debut offering of obfuscated, sexualised sculpture by Jack O’Brien

BY Sean Burns |

A characteristically understated exhibition at The Modern Institute uses light and domestic materials to allude to inimical forces at play in the home

BY Helen Charman |

The first in our series of reports from the 2019 Venice Biennale: the National Pavilions in the Giardini

BY Harry Thorne |

How artists use junkyard landscapes to forge an escape from materially saturated culture

BY Kirsty Bell |

She is the third female artist in a row chosen for the Great Britain pavilion

BY Frieze News Desk |

Maria Balshaw to become new Tate director; exhibitors list announced for Frieze New York 2017; Labour MP to direct the V&A Museum

An enigmatic representation of the abstract social and political systems regulating our world

BY Polly Staple |

Three women are in the running for this year’s prize, which will be awarded in December to a British-based artist under 50

BY Sam Thorne |

With found objects, drawings and paintings, Cathy Wilkes creates unexpected narratives suggesting psychological states and social codes

BY Will Bradley |