Cerith Wyn Evans

Stan Lee’s comic book universe; Cerith Wyn Evans on complexity; and is the art world really just about the money?

The second edition – Michael Dean, Mona Hatoum, Phillip Lai, Magali Reus and Cerith Wyn Evans – pits old guard against young guns

By Hettie Judah

Walker Art Center, Minneapolis, USA

By Jonathan Griffin

Galerie Neu, Berlin, Germany

By Louisa Elderton

A new work and performance located in the heart of ZSL London Zoo

Cerith Wyn Evans, A=F=L=O=A=T, 2014, mixed media, dimensions variable

Fondation Louis Vuitton, Paris, France

By Robert Barry

Bergen Kunsthall

By Agnieszka Gratza
Susan Hiller, Ten Months, 1977-9, black and white photographs and printed text, 203x518 cm

Cracking the codes of Conceptual art

By Jan Verwoert
An untitled project by Cerith Wyn Evans for 'How will this affect me?', frieze issue 120, in response to the censorship of his work in the Paradies und Zurück catalogue (Paradise and Back, 2008)

Censorship, sexuality, creativity and the economic meltdown. Featuring a specially commissioned collage by Cerith Wyn Evans

Joan Jonas, Reading Dante (2008). Documentation of performance.

Various Venues, Yokohama, Japan

By Jennifer Higgie

Various Venues

By Maxine Kopsa