Chris Sharratt

A series of audio works, commissioned by The Common Guild, explores the social impact of COVID-19, with contributions from Sulaïman Majali and Ashanti Harris among others

Next year will be crushingly difficult for all aspects of cinema. Some theatres have a plan

For many, talk of wage thresholds and points scored for speaking English will be anathema to a cultural scene defined by its internationalism

The artist’s latest commission pulls back the curtain on state power

There is a serious gap in curatorial knowledge when it comes to both showing the work of disabled artists and ensuring accessibility in galleries

A visa application system which is often opaque, bureaucratic and racist – exacerbated by the prospect of a no-deal Brexit – is becoming a headache for art workers

Index on Censorship has launched an initiative to help artists navigate draconian limits on free-speech

How Middlesbrough Institute of Modern Art’s newly launched School of Art is seeking to promote a more socially engaged educational model

Nearly 2000 museum workers have shared their salaries online – the vast inequity is difficult to ignore

Written in a remote village in Cumbria, ‘Reward’ is tensely intimate yet wrapped in lyrical conundrums 

Artists and lecturers won a landmark workers’ rights case in February, and hope it will have far-reaching consequences

As leading arts institutions decline donations over opioid links, the artist and activist on why the age of using culture for ‘reputation laundering’ is over

From a travelogue drenched in the memory of colonialism to a bleak charting of European history in black and white, the festival presents urgent works for uncertain times

A new show at Collective, Edinburgh, makes poetry of physical actions

Halwani has created his own emotionally powerful, visually arresting memorial: ‘a small step on a daunting climb’

With art lessons and trips to museums on prescription, the links between culture and health are being reconsidered

Recent studies highlight deep precarity in the art world, alongside a renewed push for fairer payment and resistance to ‘self-exploitation’

An exhibition at CCA Glasgow explores this icon of 1960s Czech new wave cinema by inviting contemporary artists to respond to her work

From Charlotte Prodger’s Turner Prize win to Glasgow School of Art’s gutted Mackintosh building, a sometimes fraught and rarely dull year in Scotland

For her very first solo show, the artist brings her own biography onto the walls of Glasgow’s Transmission Gallery