Chris Wiley

The first of three articles exploring art, class and precarity: a range of artists, curators and writers explore how class shapes art-making today

Eli Roth, The Green Inferno, 2013. Courtesy: Sobras International Pictures, Chile

Two recent films show contrasting attitudes to the indigenous cultures of the Amazon 

Illustration by Lauren Rolwing

The best art eludes easy interpretation

Noémie Goudal, Observatoire VIII (Observatory VIII), 2014, Lambda print on Baryta paper, 1.5 × 1.2 m. Courtesy: the artist, Edel Assanti,  London, and Galerie des Filles du Calvaire, Paris

How a generation of artists is re-ordering the building blocks of photography

New! New Too!, 1983, lithograph billboard mounted on cotton, 3.1 × 6.9 m

Whitney Museum of American Art, New York, USA

Heinz Mack (ZERO co-founder), Sahara Project, Tunisia, 1968. Courtesy: ZERO Foundation

What are the histories of artists engaging with emergent technologies? How has Post-Internet art come to be defined? And what happens next?

David Zwirner Gallery & Salomon Contemporary