Chris Wiley

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The Drawing Center, in New York, presents a historically and formally diverse collection of works by incarcerated artists

BY Chris Wiley |

Ruby City resembles an edifice of red Texas rock; inside, the museum is airy, white and church-like

BY Chris Wiley |

A tribute to the photographer, from the ‘sucker punch’ of ‘The Americans’ (1958), to his later work ‘howling with anguish, frustration and ennui’

BY Chris Wiley |

In the DESTE Foundation’s summer shows, new art from Greece (and Kiki Smith)

BY Chris Wiley |

In her compellingly off-kilter sculpture, Reaves imagines strange and dire futures

BY Chris Wiley |

In the Iranian artist’s work, memory is smudged, an accretion of sorrows or nameless longings, a pile of waterlogged books in a flooded library

BY Chris Wiley |

‘After Kurzweil’s book landed with a thud in the centre of our culture, it was impossible not to address its claims’

BY Chris Wiley |

Chris Wiley undertakes a gallery crawl during SP-Arte, taking in shows by Hilma af Klint, Paulo Nimer Pjota and Nicolás Paris

BY Chris Wiley |

At the Whitney Museum of American Art, New York, the artist’s retrospective explores love, loss and identity in the works forged by her AIDS activism

BY Chris Wiley |

‘Elastic Hours’, the 8th edition of the Sequences biennial in Reykjavik, Iceland, took time scales – both short and long – as its subject

BY Chris Wiley |

Arsenale and Giardini, Venice, Italy

BY Chris Wiley |

The first of three articles exploring art, class and precarity: a range of artists, curators and writers explore how class shapes art-making today

Two recent films show contrasting attitudes to the indigenous cultures of the Amazon 

BY Chris Wiley |

The best art eludes easy interpretation

BY Chris Wiley |

How a generation of artists is re-ordering the building blocks of photography

BY Aaron Schuman |

Whitney Museum of American Art, New York, USA

BY Chris Wiley |

What are the histories of artists engaging with emergent technologies? How has Post-Internet art come to be defined? And what happens next? frieze asks eight artists, writers and curators to reflect

David Zwirner Gallery & Salomon Contemporary

BY Chris Wiley |