Christy Lange

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From Stephanie Lepp to Francesca Panetta and Halsey Burgund, artists are using AI to reveal the fragility of our trust in basic information

BY Christy Lange |

‘Despite the efforts of Trump and his ilk to deny it, the truth is out there’

BY Christy Lange |

What is the future of our photos in an age when images – and the machine-readable data they contain – no longer belong to us? 

BY Christy Lange |

A new video installation from Richard Mosse investigates the refugee crisis

BY Christy Lange |

Martin-Gropius-Bau, Berlin, Germany

BY Christy Lange |

A selection of the best articles responding to the US election result

BY Paul Clinton |

What I’ve learned from Trump’s election

BY Christy Lange |

With the death of Gawker and the rise of Trump, free speech is under threat

BY Christy Lange |

How artists are mapping the flow of onshore and offshore global wealth, before and after the Panama Papers

BY Christy Lange |

Various venues, Zurich, Switzerland

BY Christy Lange |

Tom Eccles, the co-curator of Frieze Talks, on how to start a conversation

BY Emily Stokes |

Sea sponges, millennials and the consistent yet surprising concept of binary fluffing

BY Pablo Larios |

How the anonymous film collective Abounaddara represents daily life in Syria

BY Christy Lange |

Raising questions about rising rents

BY Christy Lange |

Visualizing the Snowden archive

BY Christy Lange |

Various venues, Kyoto, Japan

BY Christy Lange |

Kadist Art Foundation, Paris, France

BY Christy Lange |

The last two decades have seen a proliferation of curatorial studies programmes. How has this affected methodology and display, and what is the future of these courses?

BY Christy Lange |

‘10,000 Lives’ was a fascinating examination of the role of photography in contemporary culture

BY Christy Lange |