Claudia Fontes

Frame
Claudia Fontes, Untitled, from the series “Foreigners”, 2016. Courtesy: Galería Nora Fisch, Buenos Aires

Galería Nora Fisch, Buenos Aires (F10)

Handing authorship of the biennial to a diverse group of artists is a democratic gesture but conveniently deflects and disperses blame

By Evan Moffitt