David Hammons

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From Trulee Hall's lustful science fiction at François Ghebaly to William Brickel's uncanny domestic figures at Michael Kohn Gallery

BY Claudia Ross |

A three-part exhibition at CCA Wattis Institute for Contemporary Arts, San Francisco, draws on the ensemble form and musical score to deliver a vision of cacophonous community

BY Tausif Noor |

Camille Bacon profiles Linda Goode Bryant’s legendary gallery and the radical transformations the space afforded in its 12-year run

BY Camille Bacon |

David Hammons’s early work on view at The Drawing Center during Frieze Week

BY Evan Moffitt |

The public art installation in Hudson River Park will pay tribute to Matta-Clark’s iconic Day’s End and the commerce, crime, leisure and lovemaking of Manhattan's waterfront past 

BY Tavia Nyong’o |

Deborah Levy can’t stop thinking about a work seen at Kettle’s Yard more than 30 years ago

BY Deborah Levy |

For two years, Jackson ran one of the most important galleries for black artists of the past half century

BY Chase Quinn |

The artist’s tent city at Hauser & Wirth, in rapidly gentrifying downtown LA, is a ‘parody of pious politically activist art’ 

BY Jonathan Griffin |

The monumental sculpture will trace the outlines of a now-demolished 19th century salt shed, once made into an artwork by Gordon Matta-Clark

For the 6th Amsterdam Art Weekend, our picks of the best shows and events across the Dutch capital

BY En Liang Khong |

Mexico City Gallery Weekend postponed following earthquake; Hauser & Wirth to open new gallery in Hong Kong

KW Institute for Contemporary Art, Berlin, Germany

BY Kirsty Bell |

Are the roles of artist and writer compatible?

BY Jennifer Krasinski |

Mnuchin Gallery, New York & The George Economou Collection, Athens

BY Paul Teasdale |

A round-up of the best current shows in the Greek capital

BY Paul Teasdale |

Amy Zion gives a round-up of the best shows currently on view in the city

BY Amy Zion |

Aspen Art Museum, USA

BY Dan Fox |

‘Pacific Standard Time’ is an collaboration that traces different histories of Southern Californian art from 1945 to 1980

BY Sam Thorne AND Stacey Allan |

What could you imagine doing if you didn’t do what you do? Being in a boy band

For the past 40 years, the elusive artist David Hammons has explored race, creativity and politics – without gallery representation

BY Steven Stern |