Dominikus Müller

The renowned Swiss architect and designer duo discuss the influences that have shaped their six-decade careers 

By Trix and Robert Haussmann

Can we compare our current political moment to the tumultuous 1930s?

By Dominikus Müller
Leonore Mau, Hubert Fichte im Star-Club Hamburg St. Pauli, 1962. Courtesy: the estate of Leonore Mau and S. Fischer Stiftung

On the counter-cultural icon Hubert Fichte, founder of German-language Pop literature

By Dominikus Müller
Herbert Fritsch in Pension Schöller, directed by Frank Castorf, Volksbühne Berlin, 1994. Courtesy: ullstein bild/Esch-Henkel

What's behind the outcry againt Chris Dercon's appointment at the Volksbühne? A roundtable with theatre critics Eva Behrendt and Tobi Müller

By Eva Behrendt, Tobi Müller and Dominikus Müller
Halil Altındere, Homeland, 2016, video still 

Various locations, Berlin, Germany

By Dominikus Müller

A conversation with theatre director Milo Rau about responsibility, empathy and 'meta-slavery'

By Dominikus Müller
Andro Wekua, 'Anruf', 2016, installation view, Kölnischer Kunstverein. Photograph: Simon Vogel 

The editor of frieze d/e selects his picks of the current shows in the city

By Dominikus Müller
Sigmar Polke, ohne Titel (Weihnachten 1985) (Untitled, Christmas 1985), 1985, collage in scrapbook and ink, 21 x 16 cm © The Estate of Sigmar Polke / VG Bild-Kunst, Bonn 2016; photograph: 

What the proposed closure of Museum Morsbroich tells us about cultural debate in Germany

By Dominikus Müller

On art and therapy

By Dominikus Müller
Musée du Echnaton (Afrika), 1976, Installationansicht, Atelier des Künstlers, Köln (courtesy: VG Bild-Kunst, Bonn & Michael Buthe Estate, Köln)

A look back at the extraordinary work of Michael Buthe

By Dominikus Müller
Olaf Metzel, 13.4.1981, 1987, verschiedene Materialien, Installationsansicht, Joachimsthalerstraße/Kurfürstendamm, Berlin, 1987 (courtesy: © Olaf Metzel, VG Bild-Kunst, Bonn 2015; Fotografie: © Hans Peter Stiebing, Berlin)

Public art in Germany has a long and fraught history. What is its place today?

By Dominikus Müller