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Dora Budor

From the exhibitions attempting to formulate ‘an acerbic language that speaks to our present epoch’, curator Samuel Leuenberger's highlights

By Samuel Leuenberger
Jimmy DeSana, Gauze, 1979. Courtesy: The Jimmy DeSana Trust and Amanda Wilkinson Gallery, London © The Jimmy DeSana Trust

London

8 Sep
7 Oct

 A visit to Belgrade for the first exhibition produced as part of Balkan Projects

By Eli Diner
Cecilia Alemani, Curator of Frieze Projects New York, listening to Frieze Sounds commissions in the BMW 7 Series shuttle service at Frieze New York. Photograph: Graham Carlow Photography.

Cecilia Alemani talks about curating at Frieze and at the Venice Biennale

Courtesy: Dora Budor/Frieze

Characters. Impersonations. Rumours.

By Matthew McLean

Frieze Fairs - 06 May 2017

Watch Dora Budor’s Frieze Project, Manicomio – using cinematic doubling to question perception and reality

Cecilia Alemani talks at Frieze New York 2017

Frieze Fairs - 05 May 2017

Frieze Projects New York 2017 explained by their curator

Ryan McNamara, Battleground, 2016, performance still, 60 min. Courtesy of the artist

Artist commissions by Dora Budor, Elaine Cameron-Weir, Giosetta Fioroni, Fabio Mauri, Ryan McNamara, Adam Pendleton and Jon Rafman

Projects
Dora Budor, Allergic to the 20th Century, 2015. Archival inkjet print in artist frame. Dimensions: 41 x 28 x  1 ½ inches. Photography in collaboration with Robert Kulisek. Courtesy the artist and New Galerie

The artist will use cinematic doubling to question perception and reality

Study of the workshop working on a plaster mockup of the Statue of Liberty by Frédéric Auguste Bartholdi in the ateliers of Gaget, Garthier & Cie, c.1878. In the collection of Musée des Arts et Métiers, Paris

From prop frogs to torture machines, the New York-based artist writes about the images she finds the most arresting

By Dora Budor

Ramiken Crucible, New York, USA

By David Everitt Howe