Douglas Crimp

The activist and videomaker’s adaptation of Nikolai Erdman’s The Suicide (1928) is a production of pure absurdity in the face of mortality

The late art historian and activist inspired generations of young artists and writers to better teach themselves 

From existentialist heartthrobs to the end of existence: what to read this weekend

Galerie Buchholz and Arsenal Institut für Film und Videokunst, Berlin, Germany