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Etel Adnan

Etel Adnan, Jardins 8, 2018, Huile sur toile, Diamètre 30 cm, © Etel Adnan / Courtesy Galerie Lelong & Co.

Paris

22 Nov
19 Jan
Carolyn Christov-Bakargiev. Courtesy: PARISLA

‘The art world is becoming more conservative’: for a new series, the Director of Castello di Rivoli speaks about her experience in the arts

Nottingham Contemporary, UK

By Orit Gat

The revolutionary power of joy, the pleasures of the small magazine and Charles Mingus’s eggnog: what to read (and drink) this weekend

Growing old and growing value 

By Lynne Tillman

Etel Adnan, Andrzej Steinbach, Haegue Yang, and more: a guide to the best shows in the city

By Chloe Stead

Etel Adnan, Francis Alÿs, Megan Rooney and more: a guide to the best current shows in the capital

By Izabella Scott

Haus Konstruktiv, Zurich, Switzerland

By Jörg Scheller
Lilla Cabot Perry, The Black Hat, 1914, oil on canvas, 128 × 92 cm. Courtesy: Currier Museum of Art, Manchester, New Hampshire

A number of  long-overdue exhibitions have recently celebrated the achievements of overlooked women artists.

By Kaelen Wilson-Goldie
Photograph: Edward Park

Journals, poems, biography and ‘direct implication’– the year in books

By Quinn Latimer

Alex Farquharson and Kaelen Wilson-Goldie grapple with the complexities of dOCUMENTA (13)

By Alex Farquharson and Kaelen Wilson-Goldie

frieze invites artists Joana Hadjithomas and Khalil Joreige to write about the images that have informed their practice