Exhibition Reviews

The artist’s retrospective at the Museum of Contemporary Art of Monterrey, Mexico, celebrates a three-decade career that mines the complexities of Mexican culture

At Chisenhale Gallery in London, the artist explores the disquieting potential of waiting rooms, doctors' offices and sickbeds

At Rinde am Rhein, Düsseldorf, the artist’s new series riff on conceptualism but reflect the alienation of our times

Ireland’s biennial of contemporary art delicately weaves weighty issues into Limerick’s surroundings

At The National Gallery of Denmark, the artist’s retrospective interrogates the space between coloniser and colonized

At the artist’s studio via Chateau Shatto, Los Angeles, the artist’s facsimiles of pavement interrogate the similarities between civic labour and artistic production

In ‘L’être, l’autre et l’entre’ at Palais de Tokyo, Paris, the artist weaves together human and cosmological in-betweens

The artist fluctuates between meditation and masochistic intensity at London’s Whitechapel Gallery

The first major US survey of the artist’s work at the Center for Curatorial Studies, Bard College, is a joyful display of her syncretic ways of making

At KIN, Brussels, the artist’s androgynous figures are trapped in a state of leisurely calm 

From an interactive walking tour exploring homelessness to a citywide treasure hunt created by Ryan Gander

An exhibition of kaleidoscopic painting at Victoria Miro, London, is a celebration of free love and excess

A retrospective in Helsinki cements the erotic artist’s legacy but fails to connect the dots of his complicated life story

The artist’s survey exhibition at Tel Aviv Museum of Art paints a nuanced picture of a life of itinerant creative production

At Phillida Reid, London, a series of elegant ink drawings prods at the art world’s social anxieties

From Vojtěch Kovařík's monumental depictions of Hercules at Mendes Wood DM, Brussels to Birke Gorm's dishevelled jute mannequins at the Museum of Applied Arts, Vienna

At White Cube, Bermondsey, the artist’s landscapes of objects reckon with ideas of existence and extinction