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The fallacies of ‘community building’, online and IRL, in the work of Cécile B. Evans

A new film uses a sculpture by the late Donald Rodney to reflect on the many tales of race and class that are etched on the skin 

The work of John Hanson, Rob Nilsson and Fred Lonidier establishes a dialectic between a leftist melancholy and a more forward-looking politics

‘The images Miller created don’t exist solely in the past: her legacy moves through time, like a river’

Featuring Judy Chicago and Miriam Schapiro, ‘Womanhouse’ marks the 30th anniversary of the museum dedicated to women artists

 

Susanne von Falkenhausen on this summer’s 10th Berlin Biennale, Manifesta 12 and the future of biennials

Anna Maria Maiolino, É o que Sobra (What Is Left Over), from the series ‘Fotopoemação’ (Photopoemaction), 1974, digital print, 62 × 153 cm. Courtesy: the artist and Galleria Raffaella Cortese, Milan

How the radical practices of female artists drove the Modernist movement in Brazil

Unknown artist, Portrait of Elizabeth I of England, the Armada Portrait, 1588, oil on panel, 1.1 × 1.3 m. Courtesy: Woburn Abbey Collection, Woburn

From Antiquity to the present day, women have been crucial in shaping taste, building collections and supporting artists

Watching Sharon Hayes and Evan Ifekoya pay homage to the late artist at Camden Arts Centre and remembering his ‘structured anarchy’

Meticulous, gently humorous paintings isolate a deeply personal encounter with the obdurate structures of society and culture

The artist-investigator tunes his work to the undocumented, the surveilled, immigrants and prisoners; those fleeing the talons of the state

The artist queers the canonical histories of art and theatre, pointing to how things might actively and fantastically engage in being otherwise