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Luca Frei, Design for Pillows, 2017, gouache, pencil and collage on foamcore, 100 × 70 × 3 cm. Courtesy: the artist and Galerie Barbara Wien, Berlin; photograph: Karl Isakson

On the centenary of its founding in Weimar, ‘bauhaus imaginista’, which takes place in eleven countries, revisits the Bauhaus with an eye to global experiments in radical artistic pedagogy

By Pablo Larios

The Hong Kong-born artist showcases the darkly comic potential of cartoon visuals

By Harry Thorne

Negar Azimi visits the Damascus-born artist ahead of her retrospective at MoMA PS1

By Negar Azimi and Simone Fattal

Tanning gives full expression to her childhood imagination and its innately eclectic catalogue of fears, fantasies and domestic psychodramas

By Claire-Louise Bennett

Materialism, metaphysics and mysticism collide in the Shanghai-based artist’s maximalist installations

By Gary Zhexi Zhang

Three decades after German reunification, the artist articulates the inhumanity of right-wing terror, and how ideology lies within domestic interiors

By Kito Nedo

With dead ends and doors to nowhere, the recent works of the Scottish artist articulate contemporary forms of nihilism

By Chris Fite-Wassilak
Cameron Rowland, Jim Crow, 2017, Jim Crow rail bender, 91.4 x 20 x 44 cm. Rental

The spectral presence of prisoners in everyday commodities 

By Jackie Wang

The fallacies of ‘community building’, online and IRL, in the work of Cécile B. Evans

By Cal Revely-Calder

A new film uses a sculpture by the late Donald Rodney to reflect on the many tales of race and class that are etched on the skin 

By Tavia Nyong’o

The work of John Hanson, Rob Nilsson and Fred Lonidier establishes a dialectic between a leftist melancholy and a more forward-looking politics

By Andrew Durbin

‘The images Miller created don’t exist solely in the past: her legacy moves through time, like a river’

By Viviane Sassen