Film

Showing results 201-220 of 470
Opinion
Portrayals of Women in Film and TV are Abandoning Old Archetypes

From Better Things to Motherhood and SMILF: Michelle Orange charts the turn towards nuanced representations of women in film and TV

BY Michelle Orange |
Interviews
Ruben Östlund: ‘The Square Becomes What We Make Out Of It’

Ahead of the Oscars the director of the art world satire talks about making the real-life Square, the Swedish monarchy and male moral failure

BY Jörg Heiser |
Opinion
Phantoms, Desire and Vulnerability in Daniel Day Lewis's Final Film

Lynne Tillman on Paul Thomas Anderson's Phantom Thread, a tightly wrought film about a tightly controlled man

BY Lynne Tillman |
Profiles
Alberta Whittle's Decolonizing Impulse

The Barbadian filmmaker, recipient of this year’s Margaret Tait Award, is intent on disrupting institutional complacency

BY Chris Sharratt |
Opinion
The Limits of Black Panther's Afrofuturism

The mythic time of comic-book narrative represents a fatal challenge to the film’s transcendent politics

BY Gerry Canavan |
Culture Digest
Highlights from the 2018 Berlinale Film Festival

From the controversial winner of the Golden Bear to Morgan Fisher's homage to Bruce Conner – to possibly the bleakest film ever made

BY Bert Rebhandl |
Features
The Actor and the Hummingbird

A series of ‘magical transformations’: Tacita Dean’s new work launches across three institutions in London

BY Ben Eastham |
Features
Left Behind?

Naeem Mohaiemen’s films reflect on recent histories of the global radical Left

BY Sarinah Masukor |
Culture Digest
‘A Superhero and Storyline for a New Century’: Black Panther, a Primer

With the arrival of the first superhero film to feature a black lead since 1998's Blade, a reading list on black comic-book culture

BY Andrew Durbin |
Profiles
Paul Clipson (1965-2018)

‘That moment, that smile’: collaborators of the filmmaker pay tribute to a force in California's film and music scenes and a vital friend and ally

BY Geeta Dayal |
Opinion
Second Looks

How documentary filmmakers are experimenting with historical narratives to better understand the present

BY Jessica Loudis |
Opinion
Phantom Thread: He's a Wolf in Wolf's Clothing; She Wears a Red Dress

Paul Thomas Anderson's latest film is both gorgeous and troubling in equal measure

BY Jennifer Higgie |
Opinion
In the Film World, Who Speaks When She Speaks?

At New York’s Metrograph, a diverse film programme addresses a ‘central problem’ of feminist filmmaking

BY Corina Copp |
Profiles
Time Does Not Heal: Inside Wang Bing’s Cinema of Slowness

Ahead of a show at Amsterdam’s EYE Filmmuseum, how the documentarian’s wandering gaze takes in China’s landscapes of loss

BY En Liang Khong |
Opinion
Beats Per Minute: A Queer Film that Fights Back

Robin Campillo’s portrait of ACT UP Paris puts militancy before mourning

BY Evan Moffitt |
Opinion
Ladies and Gentlemen

Should acting awards be gender neutral? 

BY Michelle Orange |
Opinion
Grace Under Oppression

Arthur Jafa’s intertwining of video collage and music has the power to open up minds and bodies

BY Jörg Heiser |
Opinion
Act Natural

Why do we love to watch people who can’t act?

BY David Levine |
Features
Long Shadows

Johan Grimonprez’s recent films explore the mechanisms of the arms trade

BY Evan Calder Williams |
Features
Though It Weeps (in the style of a new and brilliant murder)

Helen Marten responds to Ed Atkins’s new work, Old Food, currently showing at Martin-Gropius-Bau, Berlin

BY Helen Marten |