Film

Showing results 301-320 of 470

From the fall of Cecil Rhodes to the return of Pee-wee Herman: what we’ve been reading this week

BY Paul Clinton |

The psycho-geography of Aleppo as seen in Avo Kaprealian's film, Houses Without Doors

BY ​Timothy P. A. Cooper |

From a history of sabotage to the yogi rock of Bhagavan Das: the best things we've read this week

BY Dan Fox |

The rise of online exhibition spaces and the documenting of social unrest

BY Ben Eastham |

How the anonymous film collective Abounaddara represents daily life in Syria

BY Christy Lange |

Ben Wheatley’s new J.G. Ballard adaptation continues his exploration of genre, class, comedy and violence

BY Dan Fox |

Omer Fast's feature film adaption of Tom McCarthy's novel Remainder

BY Bert Rebhandl |

David Bowie as art school

BY Dan Fox |

Philip Scheffner’s film Havarie is a self-aware representation of the way Europe is dealing with the refugee crisis

BY Esther Buss |

Encounters with the late Chantal Akerman's films

BY Lynne Tillman |

The British artist discusses the films that have influenced him

BY George Barber |

Chinese video art, post-socialist trauma and the work of Cheng Ran

BY En Liang Khong |

Temporary Gallery, Cologne, Germany

BY Nicole Yip |

The Green InfernoWelcome to Leith and Zoolander 2

BY Bert Rebhandl |

Kate Macgarry & Hales, London, UK

BY Charlie Fox |

Diane Williams's latest collection, a new album from Matmos, and Jean-Luc Godard Season at the BFI

BY Charlie Fox |

On repetition and reiteration in a new film by Jay Chung & Q Takeki Maeda

BY Jörg Heiser |

Blood oaths and bodies under threat

BY Ben Eastham |

An homage to Chantal Akerman (1950 – 2015)

Ancient storytelling meets modern politics in Miguel Gomes’s new trilogy, Arabian Nights

BY Nick Pinkerton |