Frank Bowling

Who’s Afraid of Barney Newman (1968) invokes a multiplicity of diasporic readings’

By Rianna Jade Parker

In further news: Stedelijk explains why it cancelled Ettore Sottsass retrospective; US National Gallery of Art cancels Chuck Close and Thomas Roma exhibitions after sexual misconduct claims


3 Nov
22 Dec

A revelatory exhibition cements a rising appreciation of African American art

By Pernilla Holmes

New York

6 Sep
14 Oct

A series from Frieze Week pairing established and emerging artists at this year’s fair 

By Jonathan Griffin

Frank Bowling talks about improvisation, ‘poured painting’ and getting advice from Clement Greenberg

By Courtney J. Martin