Fred Moten

In ‘All That Beauty’, it’s not a matter of seeing better, or more clearly; it’s a matter of seeing more widely and wildly

By Steven Zultanski
Janiva Ellis, Co-Panicing, 2017, oil on canvas, 76 × 57 cm.  Courtesy: the artist and 47 Canal, New York; photograph: Joerg Lohse

Ellis’s paintings are spring-loaded with overlapping references to film and television, current events, art and cartoons.

By Andrew Durbin
James Holden, Solstice/I Have Put Out the Light, 2002. Courtesy: Silver Planet

The artist reflects on the sounds that have shaped their thinking

By Evan Ifekoya
Visitors arrive at Frieze New York 2018. Photo: Mark Blower. Courtesy: Mark Blower/Frieze

Talks, sound works, processions and the twentieth century masterpieces - start the weekend at Frieze

Loring Randolph. Portrait: Bobby Doherty. Courtesy: Bobby Doherty/Frieze

Loring Randolph explains how a decade’s experience as a gallerist in New York informs her vision for Frieze

By Loring Randolph
Talks

Saturday, May 5, 12pm

Talks

The program takes a literary turn with a focus on some of today’s most searching writers

From the legacy of Harper Lee to new poetry by Fred Moten: a round-up of the best things we’ve read online this week

By Paul Clinton
'Wu Tsang', 2015, exhibition view

Clifton Benevento, New York, USA

By Matthew Shen Goodman