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Frieze New York 2018

Kapwani Kiwanga, Shady (detail), 2018. Installation view at Frieze New York 2018

Frieze Fairs - 04 May 2018

Kapwani Kiwanga provides a guide to her commission:an interactive outdoor installation entitled Shady (2018)

Visitors arrive at Frieze New York 2018. Photo: Mark Blower. Courtesy: Mark Blower/Frieze

Talks, sound works, processions and the twentieth century masterpieces - start the weekend at Frieze

Anne Pasternak with Ed Clark, Untitled, 1978-80, at Weiss Berlin, Spotlight, Frieze New York 2018

Frieze Fairs - 03 May 2018

As Brooklyn Museum acquires Ed Clark’s Untitled (1978-80) from Frieze New York’s Spotlight section, Anne Pasternak explains the choice

Hank Willis Thomas, 5,093 (detail), 2018. Installation view at Frieze New York 2018 in ASSEMBLY, curated by Adrienne Edwards

Frieze Fairs - 02 May 2018

At the entrance to the fair, a striking tribute to the victims of gun violence. Presented by Jack Shainman Gallery, New York

Hudson in New York in 2005 © Judy Linn. Via Financial Times

New curated sections, pioneering performance art, Black activism: key themes from next week’s fair selected by the Financial Times

Tom Friedman at Frieze New York 2018

Frieze Fairs - 02 May 2018

‘It was kind of a place of sharing of ideas’

For Your Infotainment
Tom of Finland, Untitled (Preparatory Drawing), 1989. Graphite on paper, 21 x 30cm. Courtesy of David Kordansky Gallery, Los Angeles

Curated by Matthew Higgs

Adam Pendleton, Black Dada Flag (Black Lives Matter), 2018. Commissioned by Frieze. Installation view at Randall's Island Park, New York

The fair Preview opens, and major works by Anselm Kiefer and Jordan Wolfson are premiered across the city

Cameron, Untitled (date unknown), (detail), ink on paper, 10 x 30 cm. Courtesy: Cameron Parsons Foundation, Marc Selwyn Fine Art and Nicole Klagsbrun

Frieze Fairs - 01 May 2018

The curator talks through the themes and ambitions of Spotlight at Frieze New York 2018, and two magical figures featured in it: Cameron and Mestre Didi

Matthew Brannon, Concerning Vietnam: Oval Office, May 1963, 2018, silkscreen & hand-painted elements on paper, 1.2 x 1.7 m. Courtesy: the artist and Casey Kaplan, New York. Photo: Jason Wyche

The day before the fair preview sees gallery openings: and an artist’s tequila bar arrives in Chelsea

Adam Pendleton, Black Dada Flag (Black Lives Matter), 2018, installation view at Frieze New York 2018

Frieze Fairs - 29 Apr 2018

Black Dada Flag (Black Lives Matter) is raised over Randall’s Island Park ahead of Frieze New York 2018

Adrian Piper, Everything #2.8. 2003, photocopied photograph on graph paper, sanded with sandpaper, overprinted with inkjet text, 21.6 x 27.9 cm. Private Collection. © Adrian Piper Research Archive Foundation, Berlin

From ‘Grant Wood fever’ to Adrian Piper’s homecoming at MoMA