Aaron Flint Jamison, Iron Lady, 2017, letterpressed folio, 14 x 23cm, edition of 18. Courtesy: Galerie Max Mayer, Düsseldorf

Galerie Max Mayer, Düsseldorf, Germany

By Pablo Larios

Paying tribute to W.G. Sebald’s literature of memory and loss, two decades after his lectures on the Allied fire-bombing of German cities

By Houman Barekat

Boris Groys on 25 years of contemporary art in Eastern Europe

By Boris Groys
Architect’s rendering of repurposed Dutch Pavilion, EXPO 2000 Hanover, from Refugees Welcome, 2015, designed by Martina Frybova and Madeleine Möller. Courtesy: the architects and JOVIS Verlag, Berlin

15th Venice Architecture Biennale: the German pavilion showcases projects for rehousing refugees

By Niklas Maak
Assyrian statuette of a petitioner, 2,400 BC. Courtesy Pergamon Museum, Berlin.

Germany's dispute over legislating artworks of national significance

By Stefan Kobel
Vlatka Horvat, Peripheral Awareness, 2014, wooden table with laminate surface, various found objects, 87 × 59 × 80 cm

Żak | Branicka, Berlin, Germany

By Keren Goldberg