Glasgow

Showing results 1-20 of 45

At The Common Guild in Glasgow, the artist’s sculptures combine traditional female reclining nudes with tools of service labor

BY Phin Jennings |

A free art-writing course for aspiring critics which takes place in Glasgow in the summer, supported by Frieze membership

At The Modern Institute, Glasgow, an exhibition filled with religious symbolism feels curiously shallow

BY Helen Charman |

The artist and DJ’s first solo show at Tramway, Glasgow, is a stunning exploration of West African music

BY Tom Hastings |

A characteristically understated exhibition at The Modern Institute uses light and domestic materials to allude to inimical forces at play in the home

BY Helen Charman |

The last work by the artist leaves us in the company of painting’s favourite shape

BY Jamie Limond |

In the context of increasingly sadistic attacks on Muslim people, the Glasgow-based artist provides a space for grief and dreaming

BY ​Hussein Mitha |

‘Gray’s presence is painted on the city; he’s a local, living myth’

BY Figgy Guyver |

‘It showed the power of placing something dumb and ugly next to something glorious’

BY Hettie Judah |

For her very first solo show, the artist brings her own biography onto the walls of Glasgow’s Transmission Gallery

BY Chris Sharratt |

A exhibition at Glasgow’s Gallery of Modern Art is part of a series of events across Scotland marking the centenary of the filmmaker’s birth

BY Chris Sharratt |

In a Victorian-era baths in Glasgow, the artist stages her largest performance project to date, featuring a 24-woman swim team

BY Chris Sharratt |

In the unashamedly populist ‘Rip It Up’ at the National Museum of Scotland, the joy of fandom resounds but questions about the future are avoided

BY Stewart Smith |

Cancelled events and financial woes have left neighbours such as CCA and its cultural tenants in a state of limbo

BY Chris Sharratt |

The artist's tightly choreographed show about surveillance culture at Koppe Astner, Glasgow

BY Chris Sharratt |

At this year’s GI festival, directed by Richard Parry, a future-focused assemblage of what it means to be human

BY Tom Jeffreys |

From Linder at the Women’s Library to rare paintings by Serge Charchoune, the exhibitions to see outside of the main programme

BY Chris Sharratt |

The Barbadian filmmaker, recipient of this year’s Margaret Tait Award, is intent on disrupting institutional complacency

BY Chris Sharratt |

The gallery argues that the funding body is no longer supportive of institutions that maintain a principled refusal of professionalization

BY Chris Sharratt |

The Modern Institute, Glasgow, UK

BY Chris Sharratt |