Harun Farocki

Or, why the Gulf conflicts never really went away

By Melissa Gronlund

In ‘New Order: Art and Technology in the Twenty-First Century’ at the Museum of Modern Art, New York, the definition of ‘technology’ is intentionally loose

By Mike Pepi

A survey exhibition at LUMA Arles captures the history of mechanically-reproduced imagery from the 19th century to the present

By Max Andrews

On the Marxist-inspired children's films of Hartmut Bitomsky and Harun Farocki, screened for the first time in more than 40 years 

By Arne Schmitt

frieze video - 06 Oct 2017

Made in 1977 for German public television, a rare look at Harun Farocki’s films for children

Highlights of the exhibitions and performances taking place during Berlin Art Week 

By Emily McDermott

The first of a new series that sees regular frieze contributors choose the best current exhibitions from their city

By Jonathan P. Watts
Trevor Paglen, Untitled (Reaper Drone), 2010, c-type print, 1.2 × 1.5 m. Courtesy: the artist, Altman Siegel, San Francisco, Metro Pictures, New York, and Galerie Thomas Zander, Cologne

What do drones see? And how can we see them?

By Christy Lange

As a director, film critic and teacher, Harun Farocki has analyzed the changing role of the moving image for more than 40 years

By Coco Fusco