Hettie Judah

From storyboards to full-sized film sets, the artist’s show at Tim Van Laere, Antwerp, plays with cinematic techniques to make us believe in a constructed world

By Hettie Judah

A new exhibition at London’s Wellcome Collection shows us why we should advocate for and defend the importance of ‘play’ – for our mental health as well as creativity

By Hettie Judah

Riley’s paintings make a strong case for embodied encounters with art: glorious advocates for the gallery space itself

By Hettie Judah

Cosmin Costinas’s curated section reveals the interconnected roles played by tradition, cultural exchange and imperialism

By Hettie Judah

A new report highlights the key role commercial galleries must play in achieving gender parity in the arts

By Hettie Judah

For her show in Grand-Hornu, the artist delves into the Mundaneum, a 19th-century utopian project to classify all human knowledge

By Hettie Judah

Two UK exhibitions feature works in which the London-based artist engages with the British landscape

By Hettie Judah

At Nottingham Contemporary, the artist reflects on intertwined histories of data and digging

By Hettie Judah

The artist discusses her new show at The Hepworth Wakefield: ‘Ceramics for me is so personal: it’s so painful to produce sometimes’

By Hettie Judah
RU, 2017, installation details, New Museum, New York. Courtesy: the artist, ChertLüdde, Berlin, and kamel mennour, Paris/London; photograph: Dario Lasagni

The artist talks about butterflies, the politicization of artefacts and the lost cultural history of his Kosovar home city

By Hettie Judah

‘It showed the power of placing something dumb and ugly next to something glorious’

By Hettie Judah

Works by Andra Ursuta at Fondazione Sandretto Re Rebaudengo, Turin, jams together diverse references from health cults to 1980s pop culture memes

By Hettie Judah