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Hettie Judah

Commemorating the 100th anniversary of WWI, The Head & The Load at Tate Modern makes incomprehension the work’s guiding theme

Is the lack of social mobility in the arts due to a self-congratulatory conviction that the sector represents the solution rather than the problem?

Sir Simon Rattle and the LSO bring Stockhausen’s Gruppen für drei Orchester to the Tate’s cavernous space, 50 years after its London debut

With a new performance work for Manifesta 12 in Palermo, the Amsterdam-based artist explores a state of continuous partial attention

In our era of easy outrage, the first statue of a woman in Parliament Square is a timely celebration of unwavering belief

The artist's ominous paintings suggest imminent threat and moral decline at Mead Gallery, Warwick Arts Centre, Coventry

Castello di Rivoli Museo d'Arte Contemporanea, Turin, Italy

Are recent innovations in sustainable fashion enough to save the planet? 

Katharina Grosse, This Drove my Mother up the Wall, 2017, installation view, South London Gallery, acrylic on wall and floor. Courtesy: South London Gallery; photograph: Andy Keate

South London Gallery, London, UK

Vittorio Scarpati, Untitled, 1989, 21 x 13 cm. Courtesy: Max Mueller; photograph: Andy Keate

Studio Voltaire, London, UK

Kate Davis, ‘Nudes Never Wear Glasses’, 2017, installation view, Stills Gallery, Edinburgh. Courtesy: Stills Gallery, Edinburgh

Stills Gallery, Edinburgh, UK

Turner Contemporary, Margate, UK