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Hettie Judah

At Nottingham Contemporary, the artist reflects on intertwined histories of data and digging

By Hettie Judah

The artist discusses her new show at The Hepworth Wakefield: ‘Ceramics for me is so personal: it’s so painful to produce sometimes’

By Hettie Judah
RU, 2017, installation details, New Museum, New York. Courtesy: the artist, ChertLüdde, Berlin, and kamel mennour, Paris/London; photograph: Dario Lasagni

The artist talks about butterflies, the politicization of artefacts and the lost cultural history of his Kosovar home city

By Hettie Judah

‘It showed the power of placing something dumb and ugly next to something glorious’

By Hettie Judah

Works by Andra Ursuta at Fondazione Sandretto Re Rebaudengo, Turin, jams together diverse references from health cults to 1980s pop culture memes

By Hettie Judah

At Studio Voltaire, London, the artists have transformed the former chapel into a wild Wilde Gesamtkunstwerk

By Hettie Judah

Two London exhibitions by belit sağ address police and military violence committed against Kurdish people in Turkey

By Hettie Judah

An exhibition at MoMu, Antwerp, spotlights the largely female ‘Textielgroep’ from the 1970s hanging their work alongside contemporary practiti

By Hettie Judah

An exhibition at M HKA, Antwerp, explores the artist as brand and as charismatic cult leader

By Hettie Judah

At the Photographers’ Gallery in London, a show examining the increasingly ubiquitous images produced by machines

By Hettie Judah

The second edition – Michael Dean, Mona Hatoum, Phillip Lai, Magali Reus and Cerith Wyn Evans – pits old guard against young guns

By Hettie Judah

Beyond the ‘forcefield of righteousness’ that occludes some political work, ‘Artes Mundi 8’ manages a complicated and rewarding show

By Hettie Judah