Ian Bourland

At the Brooklyn Museum, a landmark exhibition of never-before-seen photographs captures a rich spectrum of postwar American life

By Ian Bourland

For more than 60 years the Tehran-born, Minneapolis-based artist has made work about community, coexistence and the experience of exile

By Ian Bourland

Twenty years on from the devastating shooting, can its cultural legacy in film and television reframe our present moment?

By Ian Bourland
Zilia Sánchez, Amazonas (Amazons), 1978, acrylic on stretched canvas. Courtesy: The Phillips Collection, Washington, DC

Body and landscape converge in the groundbreaking painter’s first US retrospective at the Phillips Collection, Washington, DC

By Ian Bourland

Federal museums ensure that art is not merely the purview of the leisured class; the impasse is an abdication of that responsibility

By Ian Bourland

Director Yorgos Lanthimos does away with the prudish niceties of the Merchant Ivory format with satisfying energy

By Ian Bourland

Exotic flora and tentative ‘Afronauts’ speak to a sense of alienation, but throughout the artist’s work runs a current of optimism 

By Ian Bourland

I cut my skin to liberate the splinter evokes the dissonance and precarity of post-apartheid South Africa

By Ian Bourland

A collaborative exhibition at the Baltimore Museum of Art and Art + Practice, Los Angeles, explores the lesser-known ephemeral works of the sculptor

By Ian Bourland

Landing only months before the US midterm elections, it’s impossible not to understand the show foremost in the context of the Trumps and Kushners of the world

By Ian Bourland

US true crime series Unsolved takes two formative pop cultural events to explore their concealed human stories and systemic narratives

By Ian Bourland

From The X-Files to The Orville to Black Mirror: what role does sci-fi play in our age of fake news?

By Ian Bourland