Ian Cheng

Showing results 1-17 of 17

Cass Fino-Radin on what it means to keep projects like Ian Cheng’s BOB (2018–19) alive

BY Cass Fino-Radin |

From Naama Tasbar’s sound installation at the Bass Museum, Miami, to Diane Severin Nguyen’s K-pop video on modern-day revolution, here are the must-see shows in the US. 

BY frieze |

In his newest hallucinatory animation, ‘Life After BOB’, the artist questions self-determination in an algorithmic age

BY Travis Diehl |

At the DeYoung, San Francisco, ‘Uncanny Valley’ deftly examines the consequences of our capitulation to AI

BY Fanny Singer |

In ‘New Order: Art and Technology in the Twenty-First Century’ at the Museum of Modern Art, New York, the definition of ‘technology’ is intentionally loose

BY Mike Pepi |

A 20-artist group show at MAXXI Gallery, Rome, draws lines between surrealism, computer simulation and new forms of algorithmic intelligence

BY Rachel Falconer |

Opening date set for Louvre Abu Dhabi; London’s Carroll/Fletcher closes; Kate Millett dies at 82

Jace Clayton discovers hyper-intelligent dogs and violent humans in the artist’s computer-simulated worlds

BY Jace Clayton |

Various venues, Liverpool, UK

BY Chris Fite-Wassilak |

The difference between ‘what if’ and ‘as if’ scenarios, and what contemporary art has to do with it

BY Timotheus Vermeulen |

Aoife Rosenmeyer selects the city's best current shows

BY Aoife Rosenmeyer |

What it's like to stand on the precipice of virtual reality

BY Alexander Provan |

Fondazione Sandretto Re Rebaudengo, Turin, Italy

BY Arielle Bier |

Pilar Corrias, Maria Stenfors & Max Wigram Gallery, London, UK

BY Chris Fite-Wassilak |

Hans Ulrich Obrist's collection Think Like Clouds highlights the logistical evolution of the curator’s role

BY Eleanor Nairne |

How will stories be told in the future? frieze asks nine artists and writers to reflect on how narrative structures will change as technology advances

Motion-capture choreography, street fights, Looney Tunes and ‘hybrid cinema’

BY Kari Rittenbach |