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Jörg Heiser

This year's edition of the Busan Biennale, South Korea, finds eerie resonances of cold war divisions in present-day art and politics

By Andrew Maerkle

At the end of July, the footballer announced his resignation from the German national football team – why?

By Jörg Heiser

Exploring the lingering effects of war, censorship and colonialism on art collections – where do museums entangled in complex histories go fro

By Jörg Heiser

Jörg Heiser on memes, memory and Errol Morris's Wormwood

By Jörg Heiser

Jörg Heiser on the Soviet sci-fi classic Planeta Pur, algorithmic bias and the limits of artificial intelligence

By Jörg Heiser

Ahead of the Oscars the director of the art world satire talks about making the real-life Square, the Swedish monarchy and male moral failure

By Jörg Heiser

Arthur Jafa’s intertwining of video collage and music has the power to open up minds and bodies

By Jörg Heiser

The winner of this year's Palme d'Or is a fictionalized portrait of contemporary culture's new villain: the curator 

By Jörg Heiser
Marta Minujín, El Partenón de libros (The Parthenon of Books), 2017, under construction in Kassel as part of documenta 14. Photograph: © Rosa Maria Ruehling

On documenta 14 in Athens and Kassel

By Jörg Heiser

How should artists respond to the recent trend for trolling in the political arena?

By Jörg Heiser

As tension mounts in the run-up to Trump's inauguration, Jörg Heiser considers how artists can galvanize political protest

By Jörg Heiser

Jens Fänge's mysterious environments

By Jörg Heiser