Jörg Heiser

Jörg Heiser on memes, memory and Errol Morris's Wormwood

Jörg Heiser on the Soviet sci-fi classic Planeta Pur, algorithmic bias and the limits of artificial intelligence

Ahead of the Oscars the director of the art world satire talks about making the real-life Square, the Swedish monarchy and male moral failure

Arthur Jafa’s intertwining of video collage and music has the power to open up minds and bodies

The winner of this year's Palme d'Or is a fictionalized portrait of contemporary culture's new villain: the curator 

Marta Minujín, El Partenón de libros (The Parthenon of Books), 2017, under construction in Kassel as part of documenta 14. Photograph: © Rosa Maria Ruehling

On documenta 14 in Athens and Kassel

How should artists respond to the recent trend for trolling in the political arena?

As tension mounts in the run-up to Trump's inauguration, Jörg Heiser considers how artists can galvanize political protest

Jens Fänge's mysterious environments

The 25th issue of this magazine, and changes at frieze

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Illustration by Lauren Rolwing

A quarter century of frieze; a quarter century of lessons

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Georgia Sagri, Documentary of Behavioural Currencies, 2016, installation view

Various venues, Zurich, Switzerland 

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