Jörg Heiser

How should artists respond to the recent trend for trolling in the political arena?

By Jörg Heiser

As tension mounts in the run-up to Trump's inauguration, Jörg Heiser considers how artists can galvanize political protest

By Jörg Heiser

Jens Fänge's mysterious environments

By Jörg Heiser

The 25th issue of this magazine, and changes at frieze

By Jörg Heiser and Mareike Dittmer
Illustration by Lauren Rolwing

A quarter century of frieze; a quarter century of lessons

By Jennifer Higgie, Dan Fox and Jörg Heiser
Georgia Sagri, Documentary of Behavioural Currencies, 2016, installation view

Various venues, Zurich, Switzerland 

By Jörg Heiser and Pablo Larios
Markus Schinwald, Untitled # X, 2015, oil on canvas, 200 × 200 cm. Courtesy: the artist and Galerie Thaddeus Ropac, Paris

Galerie Thaddaeus Ropac, Paris, France

By Jörg Heiser

Galerie Thaddaeus Ropac, Paris, France

By Jörg Heiser
SBTRK, 'Save Yourself', 2016

London-based producer SBTRKT’s new online project

By Jörg Heiser

A different kind of post-internet: the comics of Brian K. Vaughan

By Jörg Heiser
Fresco from Tomb of the Diver, Paestum, Italy, c.480 BC. Courtesy: National Archaelogical Museum, Naples

Claude Lanzmann’s collected writings and the challenge of the divine diver

By Jörg Heiser
Illustration by Lauren Rolwing

Political rhetoric in art schools, the refugee crisis and Germany's new far right

By Jörg Heiser