Jennifer Higgie

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With the spotlight at the Venice Biennale falling all-too-often on the 30 national pavilions in the Giardini, writer Jennifer Higgie asks whether this 19th-century format still makes sense

BY Jennifer Higgie |

These are the top shows to see in January – from an extensive display of Indigenous Australian stories in Plymouth to a joint Renée Green retrospective in Berlin

 

BY frieze |

At The Box, Plymouth, the paradigm-shifting show presents more than 300 paintings, sculptures, ceramics, weavings and films in blazing celebration of the profoundly rich culture

BY Jennifer Higgie |

Jennifer Higgie visits Plymouth’s new museum to explore its rich collection spanning centuries, geographical locations, and artistic media

In Collaboration with The Box Plymouth

Jennifer Higgie on how the mirror’s mass production changed the course of art history – and liberated women artists

BY Jennifer Higgie |

Mining executives knew the spiritual value of the ancient Indigenous site – and they blew it up anyway

BY Jennifer Higgie |

The film proposes Ancient Egypt as something far more alive than its ruins might suggest

 

BY Jennifer Higgie |

A long-overdue exhibition at London’s National Gallery shines a light on a great baroque artist

BY Jennifer Higgie |

Presented in partnership with BMW, Lianne La Havas gave an exclusive solo performance followed by a live conversation with frieze’s Jennifer Higgie for a special episode of podcast Bow Down

‘My Garden’s Boundaries Are the Horizon’ at the Garden Museum, London

BY Jennifer Higgie |

‘Love, Desire, Death’ at the National Gallery, London, brings together six late works that pose questions about our current world

BY Jennifer Higgie |

Mark Cousins’s ‘Women Make Film’ celebrates 130 years of cinema by 183 female directors 

BY Jennifer Higgie |

Curator Brook Andrew’s proposal that creativity is an important means of truth-telling is a bolt of much-needed optimism

BY Jennifer Higgie |

Despite being full of great work, this show is at once too broad in its remit and too narrow in its execution

BY Jennifer Higgie |

For a new series of columns on armchair travelling, editor at large Jennifer Higgie travels the myriad digital alleys of the French capital

BY Jennifer Higgie |

Within the chaos murmurs an incoherent hope in this ambitious – and at times baffling – exhibition

BY Jennifer Higgie |

What we were looking at (and what we missed) in the Jan/Feb 2010 issue of frieze

BY Jennifer Higgie |

A new series about significant women artists from the past who deserve our attention

BY Jennifer Higgie |

Some thoughts on transience, in art and life

BY Jennifer Higgie |