Kader Attia

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Used for millennia, wood remains a vital medium for contemporary artists, such as Thaddeus Mosley, who joins Studio this year

Despite some worthy presentations, this year’s edition adds little to the ongoing conversation about decolonization

BY Rahel Aima |

The Algerian-French artist’s new show at the Hayward Gallery, London investigates what a museum should be used for

BY Jane Ure-Smith |

This year’s edition acts as a house of mirrors reflecting the promises of globalization and the ‘intensification and erosion of nationalism’

BY Amy Sherlock |

At Vitry-sur-Seine's MAC VAL, the artist explores architecture's infliction of violence on the colonized and on those who suffer its legacies

BY Aaron Peck |

At Haus der Kunst, Munich, artists including Ed Atkins and Otobong Nkanga explore compliance and resistance in an era of wild digitalization

Major solos and innovative group shows span Zoe Leonard, David Hockney and Latin-American Homoeroticism

At once stagnant and dynamic, politically tense and blissfully buoyant, the French capital was a strange place to be living this year

BY Tom Jeffreys |

Alistair Hudson appointed director of Manchester Art Gallery and the Whitworth; Tate St Ives reopens; Kader Attia wins Joan Miró Prize

The boom in Parisian, artist-run spaces 

BY Tom Jeffreys |

Leo Villareal to illuminate London's bridges; Kader Attia files plagiarism lawsuit against French musicians

Yayoi Kusama to be immortalized in wax; Anicka Yi awarded the 2016 Hugo Boss Prize; Edinburgh's Inverleith House to close

Tania Bruguera announces that she is running for president of Cuba; Kader Attia opens an exhibition and events space in Paris

The Contemporary Art Society acquired two video works for MIMA

MMK Museum für Moderne Kunst, Frankfurt am Main, Germany

BY Michaela Ott |

Various venues, Dakar, Senegal