Kara Walker

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An analysis of the production, interpretation and critique of Black figuration

BY John-Baptiste Oduor |

Clifford Prince King takes the photos as the philanthropist and co-founder of Art + Practice discusses her journey, from buying her first artwork to the publication of a new book on her collection

BY Taylor Renee Aldridge |

Ahead of Art Basel and Zurich Art Weekend, Kito Nedo offers his selection of what to see in the neighbouring Swiss cities

BY Kito Nedo |

In homage to Italo Calvino’s ‘Six Memos for the Next Millennium’, artists from Kara Walker to Collier Schorr, explore his six artistic virtues 

BY Sean Burns |

A new exhibition at Turner Contemporary, Margate, proposes a backyard narrative of the US civil rights movement

BY Amanda Holiday |

Every day in ‘lockdown’, we are asked to consider the effects of social distancing – as if segregation weren’t already a reality  

BY Kara Walker |

In an exclusive video interview, the author of Bad Feminist talks about black bodies, freedom and the gaze in Kara Walker’s ‘Christ’s Entry into Journalism’

BY Frieze News Desk |

At the Turbine Hall, the artist turns the Victoria Memorial inside out, populating her counter-monument with memories of colonial violence

BY Derica Shields |

‘Kara Walker reinvents painting and drawing’s conventions, while talking about ideas that are epic in scale and deep in blood,’ Als writes

BY Hilton Als |

In further news: Hermitage to curate Venice Biennale pavilion; Remai Modern CEO hit by harassment allegations

BY Frieze News Desk |

A surprising show of silhouettes at the National Portrait Gallery in Washington, D.C. sheds light on obscure chapters of US history 

BY Evan Moffitt |

Yayoi Kusama to open her own museum; Confederate monuments removed in Baltimore; David Roberts Art Foundation to leave London

From Egyptian surrealism to Parisian pissoirs: what to read this weekend

BY Paul Clinton |

A history of underground Black publishing, from W.E.B. Du Bois to #BlackLivesMatter

BY Ian Bourland |

To celebrate frieze’s quarter century, the editors choose 25 key artworks: one for each year of the magazine’s existence

Victoria Miro, London, UK

BY Anna Coatman |

Thoughts on race and art in the 21st century

BY Naomi Beckwith |

Tate Liverpool, UK

BY Sam Thorne |

Robert Storr compares Lawrence Weiner and Kara Walker’s projects of the early 2000s

BY Robert Storr |