Katja Novitskova

'Hybridize or Disappear', 2015, foreground: Katja Novitskova, Approximation (Toucan), 2014, digital print on aluminium, 1.4 x 2.2 m

Museu do Chiado, Lisbon, Portugal

By Elvia Wilk
‘Open Source: Art at the Eclipse of Capitalism’, 2015, exhibition view

Galerie Max Hetzler, Berlin, Germany

By Mark Prince
Approximation Mars I,  2014, digital print on aluminium,  cut-out display, plant granulat,  140 × 240 × 35 cm. All images courtesy: the artist and Kraupa-Tuskany  Zeidler, Berlin; photographs:  Hans-Georg Gaul

Silicon wafer weapons and Mars missions

By Kirsty Bell
Heinz Mack (ZERO co-founder), Sahara Project, Tunisia, 1968. Courtesy: ZERO Foundation

What are the histories of artists engaging with emergent technologies? How has Post-Internet art come to be defined? And what happens next?