Kirsty Bell

Channelling an array of found footage into his sound and video works, James Richards tests the limits of depicting visceral materiality

By Kirsty Bell

Tanya Leighton, Berlin, Germany

By Kirsty Bell

Ein Dossier über "das Abjekt" in der zeitgenössischen Kunst

By Kirsty Bell

At what point does a doodled line become a nose? The paintings of Allison Katz

By Kirsty Bell
Lars Laumann, Morrissey Foretelling the Death of Diana, 2006, video still

Kunstnernes Hus, Oslo, Norway

By Kirsty Bell
Meyer Vaisman, ‘In History – In Future – Meyer Vaisman – Meir Ben David – 5774’, 2015, installation view

Portikus, Frankfurt, Germany

By Kirsty Bell
Reinhard Mucha, ‘Frankfurter Block. Arbeiten am  Hohlkasten 1981–2014’, (Frankfurt Block. Working the Box-Girder 1981–2014), 2014,  installation view

Sprüth Magers, Berlin, Germany

By Kirsty Bell
Hecatomb, 2011, DVD stills

Film as social experiment, and learning how to communicate without speaking

By Kirsty Bell
Heimo Zobernig, Ohne Titel (in Red), (Untitled (in Red), 2011, installation view, Kunsthalle Zürich, Museum Bärengasse

Heimo Zobernig spricht mit Kirsty Bell über seine Skulpturen, Gemälde und Videos aus drei Jahrzehnten – und über Rotlicht, Schaufensterpuppen und die Literaturhinweise Oswald Wieners

By Kirsty Bell

Rules, strategies and conventions; role-play, photographs and cupboards

By Kirsty Bell

Imagination as a form of resistance in the work of Klaus Weber

By Kirsty Bell

Memory, fantasy and fiction; erotic novels, subversive histories and the cello

By Kirsty Bell