Liz Deschenes

​Mary Lucier, Color Phantoms with Automatic Writing, 2015, installation including artworks by Max Ernst, William Farley and Mary Ashley. Courtesy: the artist and The Kitchen, New York

The Kitchen, New York, USA

By Sam Korman
Talia Chetrit Triangle, 2008, inkjet print

Recently, several US-based artists have taken a approach to photography, emphasizing process, digital manipulation and the physical support

By Chris Wiley

Sutton Lane at Klosterfelde

By Mark Prince
Eileen Quinlan, Fahrenheit #18 (detail), 2009, chromogenic print, 102x76 cm. Courtesy: Miguel Abreu Gallery, New York

Artists Walead Beshty, Liz Deschenes and Eileen Quinlan discuss the return of the topic of abstraction to photography

By Christopher Bedford