Advertisement

Lygia Pape

‘Fragments of improvized poetry came together and devoured one another’

Anna Maria Maiolino, É o que Sobra (What Is Left Over), from the series ‘Fotopoemação’ (Photopoemaction), 1974, digital print, 62 × 153 cm. Courtesy: the artist and Galleria Raffaella Cortese, Milan

How the radical practices of female artists drove the Modernist movement in Brazil

More vandalism at Skulptur Projekte Münster; Centre Pompidou to open a satellite space in Shanghai; Off Vendome and Breese Little close

Gagosian Gallery at Frieze New York 2017. Courtesy: Mark Blower/Frieze

The first day of the weekend is the second public day of Frieze New York 2017. Plan your day around the city and the fair

Bas Jan Ader, Primary Time (1974), DVD still

The Museum of Modern Art, New York, USA