Homages to the writers and friends at Tate St Ives and Turner Contemporary pay tribute to their affection for the sea as a cipher for the self

By Phoebe Cripps

The question at the heart of Manchester Art Gallery’s artwork removal: what are the risks when cultural programming takes up an activist mantle?

By Ellen Mara De Wachter
Jean Arp, Concrétion humaine or Coquille se dénouant, 1936, (detail), limestone. Courtesy: Kunstmuseum Winterthur, Switzerland

Turner Contemporary, Margate, UK

By Gareth Harris

Turner Contemporary, Margate, UK

By Hettie Judah