Mario Garcia Torres

“I Painted This Monochrome While Listening to Van Halen's Jump” at the artist studio in Mexico City © Mario García Torres


23 Feb
16 Mar
Mario García Torres, Not to Belong to Themselves, 2018, installation view. © Mario García Torres. Courtesy: the artist and neugerriemschneider, Berlin  


28 Apr
23 Jun

A report and the highlights from a show themed around fluidity, flux, botany and the subterranean

By Barbara Casavecchia

Curator Fernanda Brenner and artists Mario García Torres, Carlos Motta and Amalia Pica discuss what Latin American art means to them

Mario García Torres, Sounds Like Isolation to Me, 2014, installation view at Museen Dahlem

Various venues, Germany

By Mark Prince
Manuel Felguérez, Límite de una secuencia  (A Sequence’s Limit), 1972, enamel on canvas, 1.3 × 1.5 m. Courtesy: the artist

Q. What is art for? A. To keep our scepticism alive.

By Mario Garcia Torres
View from the Al Jurumiya bridge to the Hotel Palestine. Photograph taken by Spanish Supreme Court Judge Santiago Pedraz, 2011

What two photographs taken by a Spanish judge in Baghdad reveal about the impossibility of untangling a moment in the past

By Mario Garcia Torres

The myriad ways in which contemporary artists have been dealing with their ambivalent relationship to the ready-made

Frieze Artist Award
Mario Garcia Torres, I Am Not A Flopper, Or..., 2007, performance documentation. Photograph: Linda Nylind/Frieze

Mario Garcia Torres reframes the work of film auteur Allen Smithee