Martine Syms

For a new series of columns on armchair travelling, editor at large Jennifer Higgie travels the myriad digital alleys of the French capital

By Jennifer Higgie

 ‘Aretha loved to record people. I can tell because I love to record people’

By Martine Syms

With over 100 works, ‘Straying from the Line’ brings together superb work under the rubric of anti-essentialism

By Mitch Speed

Curated by Charlie Porter, ‘Palimpsest’ turns the attention back on the history of the neo-gothic estate

By Mimi Chu
Jazzy Romero

MATCHESFASHION.COM invite Liz Goldwyn, Miranda July, Dr. Woo and more to 5 Carlos Place

‘You invite us to forge a ‘we’ with you and your images, to empathize, nodding snorts of identification brimming with tears’

By Mimi Chu

With galleries reopening after the summer break, a guide to the best of the new season shows in the capital

By Chris Fite-Wassilak

In the artists’ film strand, Margaret Salmon, Basma Alsharif and Martine Syms showed a strong emphasis on people, place and storytelling

By Chris Sharratt

Two films and a dance piece focus on our shifting postures in light of connective technology

By Isobel Harbison

Renée Green, Import/Export Funk Office, 1992

By Martine Syms