At The Metropolitan Museum of Art, ‘Superfine: Tailoring Black Style’ offers a sartorial response to exclusion, dehumanization and identity reclamation
The Biennale exhibition, curated by Massimiliano Gioni, has turned out to be something of a coup. He has compellingly followed through his basic idea of submerging him and us – via surrealism, spiritualist abstraction, ‘outsider art’, popular culture – into the phantasmagorical unconscious and the primordial of 20th century art (and its digital counterpart of the 21st).