Max Ernst

Max Ernst, The Gramineous Bicycle Garnished with Bells the Dappled Fire Damps and the Echinoderms Bending the Spine to Look for Caresses (La Biciclette graminée garnie de grelots les grisons grivelés et les échinodermes courbants l'échine pour quêter des caresses), c. 1921. The Museum of Modern Art, New York. Purchase, 1937. © 2017 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: Robert Gerhardt

Max Ernst: Beyond Painting

MoMA

New York

23 Sep

1 Jan

Interview - 01 Jun 2017

Questionnaire: Kasper König

Q: What do you like the look of? A: Pears

Max Ernst, Les Hommes n’en sauront rien (Men Shall Know Nothing of This), 1923, oil on canvas, 80 × 60 cm. Courtesy: Tate, London

Influences - 30 May 2014

Liliane Lijn: My Influences

From conversations with friends including André Breton, William Burroughs and Caresse Crosby, to studying astronomy, physics and the Greek myths,

Interview - 01 Oct 2013

Seams & Interruptions

Collagist John Stezaker and writer-curator David Campany discuss the legacy of Surrealist encounters with photography

Max Ernst, Une Semaine de bonté (A Week of Kindness, 1934)

Opinion - 12 Mar 2009

The many ways of owning an image