Michelle Orange

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‘The way she stumbled on stage, with her smeared lips and perfect legs, appeared at once criminally affected and wildly persuasive’

BY Michelle Orange |

A spate of new films propose a reckoning between punk artistry and documentary portraiture

BY Michelle Orange |

Michelle Orange traces the recent history of Iranian films, from Jafar Pahahi’s Taxi (2015) to Mani Haghighi’s Pig (2018)

BY Michelle Orange |

From Better Things to Motherhood and SMILF: Michelle Orange charts the turn towards nuanced representations of women in film and TV

BY Michelle Orange |

Should acting awards be gender neutral? 

BY Michelle Orange |

This year’s Sundance Film Festival featured more movies directed by women than ever before, but gender discrimination in the industry is still endemic

BY Michelle Orange |