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Mike Kelley

The Destroy All Monsters Collective (Mike Kelley, Jim Shaw, Cary Loren) Greetings from Detroit,  2000

Zurich

22 Sep
21 Dec

The artist’s retrospective, curated by John Baldessari and Meg Cranston at ICA LA, shows how thin the line is between artist and art worker

By Travis Diehl

From non-art to art and back again: on the eve of a major Jim Shaw and Mike Kelley show, an interview with the director of the MSU Broad

By Saul Anton

London

6 Sep
4 Mar

New York

4 Nov
28 Jan

Los Angeles

21 Oct
28 Jan
Donald Judd photographed in 101 Spring Street, New York, 1972. Courtesy: Judd Foundation, New York; photograph; Paul Katz

Are the roles of artist and writer compatible?

By Jennifer Krasinski

Lynn Hershman Leeson, Mike Kelley, Laura Owens, and more: the best exhibitions on view during Frieze Week

By Orit Gat

To celebrate frieze’s quarter century, the editors choose 25 key artworks: one for each year of the magazine’s existence

Manifesta announces its line-up and Bobby Miller brings charges against the Mapplethorpe Foundation: the latest news from the art world

Jim Nutt, Her Face Fits, 1968, acrylic on Perspex and enamel on wood frame, 66 × 43 cm

RISD Museum, Providence, USA

By Matthew Erickson

In an ongoing series, frieze asks an artist, curator or writer to list the books that have influenced them

By Brian Kennon