Mimi Chu

frieze video - 21 Jun 2019

In opening week of the 58th Venice Biennale, a new performance programme strove to soften the crowd

A graveyard of trees previously submerged has given way to a fantasy of resurrection

By Mimi Chu

Curated by Charlie Porter, ‘Palimpsest’ turns the attention back on the history of the neo-gothic estate

By Mimi Chu

From viral slime to medieval botany, these artists are probing the margins of mainstream knowledge 

By Mimi Chu

From Myspace aesthetics to Backpack Kid, entering London’s narrative projects feels like stumbling into an online echo chamber

By Mimi Chu

This year’s edition presented an eclectic, international and historical programme that comprised more than 100 screenings and events in the city

By Mimi Chu

‘You invite us to forge a ‘we’ with you and your images, to empathize, nodding snorts of identification brimming with tears’

By Mimi Chu

An exhibition at Pilar Corrias, London, shows the artist using mainstream stock and cultural quotations to depict marginalized subjectivities

By Mimi Chu

A concise retrospective at König London explores the transition of the artist’s paintings and extends her short-lived career into the present

By Mimi Chu
Hugo van der Goes, Vienna Diptych, c.1479. Oil on panel (diptych), 32 × 22 cm (each). Courtesy: Kunsthistorisches Museum, Vienna, and Google Art Project

Recent insights from scholars suggest the famed work may have had a female patron

 

By Mimi Chu

The first public exhibition of a 15th-century altar-hanging prompts the question: who made it?

By Mimi Chu

The LA-based painter’s exquisite skewing of Renaissance and biblical scenes at Stuart Shave/Modern Art, London

By Mimi Chu