Mitch Speed

Showing results 1-20 of 40

A major retrospective of the artist’s hard-to-define work evidences her shapeshifting nature

BY Mitch Speed |

Featuring more than 50 years of work, the artist’s survey at Kunsthalle St. Annen, Lübeck, builds on his idiosyncratic system of shapes and symbols

BY Mitch Speed |

A flaws-and-all reappraisal of the late New York art critic

BY Mitch Speed |

At Tanya Leighton, Berlin, the artist’s labour-intensive portraits suggest an art historical fever dream

BY Mitch Speed |

Part memoir, part literary portrait, the author’s new book on Berlin goes beyond familiar narratives of the German capital

BY Mitch Speed |

At Galeria Plan B, the artist aims to symbolically transform visitors into a state of extraordinary openness

BY Mitch Speed |

From Ruth Novaczek's fragmentary films at Kunstverein Gartenhaus, Vienna, to Rosa Barba's Ludwig Mies van der Rohe inspired installation at the Neue Nationalgalerie, Berlin, here are five shows not to be missed. 

BY frieze |

At Schinkel Pavillon, Berlin, the two artists find common ground in sculptures, drawings, paintings and prints that evoke the unknown

BY Mitch Speed |

The artist’s installation at Barbara Wien, Berlin, leaves things pleasingly open to interpretation

BY Mitch Speed |

In the time of COVID-19, the artist's pulmonary pangs at ChertLüdde, Berlin, feel uncomfortably prescient

BY Mitch Speed |

Like Vivian Maier’s photography, Christina Hesselholdt’s novel embraces digression and relishes humanity in its multiplicity

BY Mitch Speed |

The artist’s montages, at David Lewis, New York, are elegant but cryptic reflections on belonging and complicity

BY Mitch Speed |

With over 100 works, ‘Straying from the Line’ brings together superb work under the rubric of anti-essentialism

BY Mitch Speed |

Amy Fung’s new essay collection is an infuriated breakup letter to the art world

BY Mitch Speed |

The 16th edition of the festival peddles a political cinematography of hope, honesty and humility

BY Mitch Speed |

A retrospective at S.M.A.K., Ghent, explores the origins of the artist’s reduced visual language

BY Mitch Speed |

An exhibition at Pinchuk Art Centre, Kyiv, timed to coincide with the Yalta European Strategy conference, reminds of the corruptibility of culture

BY Mitch Speed |

An exhibition across both Galerie Isabella Bortolozzi and Eden Eden, Berlin, shows how the artist leans into the history of painting

BY Mitch Speed |

Needling, absorptive works animate a biennial in the midst of murky socio-political circumstances

BY Mitch Speed |

Lucas Hirsch, Dusseldorf, Germany

BY Mitch Speed |