Music

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Her new record, I Inside the Old Year Dying, looks away from present terrors to the reassurance of past mythologies

BY Claudia Kensani Saviotti |

The artist and DJ’s first solo show at Tramway, Glasgow, is a stunning exploration of West African music

BY Tom Hastings |

On the eve of his 50th birthday, Harmony Holiday pens an elegy to the late rapper, whose death was announced last week

BY Harmony Holiday |

From Billie Holiday to Kendrick Lamar, Black music has often created space for rest and repose

BY Harmony Holiday |

The clubland veteran is committed to sharing stories of survival

BY James Greig |

How Spotify and YouTube gave rise to an indie pop ‘internet muzak’

BY Eli Zeger |

Pop Smoke’s posthumous release is an authoritarian play on the senses

BY Aria Dean |

The artist’s ambitious fourth studio album is a genre-bending journey of defiance and radiant elation

BY Verónica Bayetti Flores |

For David Grubbs, an onrush of music has led to a rethinking of musical ‘speed’ itself

BY David Grubbs |

The singer discusses sex, dancing and Elvis on his new album, Set My Heart on Fire Immediately

BY Amy Sherlock |

After Hours is filled with a familiar, sometimes crushing, sense of yearning for something more

BY Aria Dean |

In 2019, the cityscape around the club has shifted dramatically; the Berlin epithet ‘poor but sexy’ a fading memory

BY Liam Cagney |

The 2013 album is a compelling record of our collective fracturing 

BY Andrew Durbin |

Pharoah demonstrates a way to be in the world as a Black artist, expressing a sense of pride that does not violate privacy

BY Harmony Holiday |

Few other labels could claim to have cultivated such a coherent philosophy over the years: one which unites the pleasure of partying with its darker side

BY Jamie Mackay |

Informed by the legacies of funk and jazz, the artist’s many collaborations are given space to shine

BY Ian Bourland |

The singer committed her life to defying a classical music industry that was not only deeply critical of women’s bodies, but also sceptical of black talent

BY Kira Thurman |

The group, who will perform at London’s City Lit this week, push experimental composition to its limit

BY Emily Bick |

The ‘lost’ record captures the saxophonist at a time when he was thinking that albums could aspire to be something grander than a string of loosely woven tunes

BY Philip Clark |

Hear from the performers at this year's Frieze Music in London, empowered by Moncler Genius with LUISAVIAROMA, in partnership with BMW