Can Ralph Rugoff’s ‘May You Live in Interesting Times’ exhibition address histories of narrow nationalism, fascism, and empire head-on?
Negar Azimi visits the Damascus-born artist ahead of her retrospective at MoMA PS1
‘History is full of people who just didn’t,’ reads the first line of her riveting opening essay, which also serves as a sort of statement of intent
‘I know no more perfect portrait of artist and muse’
Inaugurating the field of postcolonial studies, the Palestinian exile’s masterwork has been embraced and misread ever since
In times of political turmoil, art is a necessary rebuke to escapism
A recent show in New York of the filmmaker’s maquettes highlights his insights into contemporary life
Sunday, May 6, 12pm
Eileen Myles’s new memoir of her dog has much to say about being human
Éric Baudelaire's thoughtful response to the attacks on the French capital
Different approaches to travel writing
Egyptian surrealism: a case-study in global modernity
