Oliver Laric

In curator Susanne Pfeffer’s latest, ‘Museum’ speaks to our moment of funding scandals, museum protests and social media outrage

By Sarah James
Oliver Laric, 2019


3 May
22 Jun

New York

3 Mar
14 Apr

As Yuri Pattison wins the 2016 Frieze Artist Award, we revisit some of the best frieze articles about art, Big Data and you

Secession, Vienna, Austria

By Max Henry

Considering new and emerging issues related to the ownership, circulation, copyright


Oliver Laric created stock video footage of the fair and published it as free public domain material

‘Portable Classic’, 2015, exhibition view at Fondazione Prada Venice

56th Venice Biennale, various venues, Italy

By Barbara Casavecchia
Sun Tzu Janus, 2012, polyurethane, pigments, activated carbon, 40 × 30 × 24 cm. All images courtesy: the artist, Seventeen, London, and Tanya Leighton Gallery, Berlin

Oliver Laric uses memes, movable type, copies and collective agency to make art that is only partly ‘his'

By Pablo Larios

A panel discussion on the aesthetic and economic phenomenon of the stock image

Oliver Laric Kopienkritik (Copy Criticism), 2011, installation view, Skulpturhalle, Basel

Informed by the online debris of stock photography, a number of artists are exploring the ‘off-world’ of digital imagery 

By Isobel Harbison
Oliver Laric, „Kopienkritik“, 2011, Videoinstallation in der Skulpturhalle Basel

Where does a sculpture start and where does it end? Since Rodin the answer has been unclear. Today, artists are finding very different solutions to the persistent problem of the pedestal

By Manuela Ammer