Oliver Laric

New York

3 Mar
14 Apr

As Yuri Pattison wins the 2016 Frieze Artist Award, we revisit some of the best frieze articles about art, Big Data and you

Secession, Vienna, Austria


Considering new and emerging issues related to the ownership, circulation, copyright


Oliver Laric created stock video footage of the fair and published it as free public domain material

‘Portable Classic’, 2015, exhibition view at Fondazione Prada Venice

56th Venice Biennale, various venues, Italy

Sun Tzu Janus, 2012, polyurethane, pigments, activated carbon, 40 × 30 × 24 cm. All images courtesy: the artist, Seventeen, London, and Tanya Leighton Gallery, Berlin

Oliver Laric uses memes, movable type, copies and collective agency to make art that is only partly ‘his'


A panel discussion on the aesthetic and economic phenomenon of the stock image

Oliver Laric Kopienkritik (Copy Criticism), 2011, installation view, Skulpturhalle, Basel

Informed by the online debris of stock photography, a number of artists are exploring the ‘off-world’ of digital imagery 

Oliver Laric, „Kopienkritik“, 2011, Videoinstallation in der Skulpturhalle Basel

Where does a sculpture start and where does it end? Since Rodin the answer has been unclear.