Omer Fast

Omer Fast, Der Oylem iz a Goylem, 2019, production still. Courtesy: the artist 

In three video installations, the artist stages theatrical mise-en-scènes at Salzburger Kunstverein

By Hili Perlson

How artist-led activism is shaping the construction of Chinatowns in the US

By Audrea Lim
Omer Fast, August, 2016, film still, stereoscopic film in 3D with surround sound. Courtesy: the artist and James Cohan, New York

James Cohan Gallery, New York, USA

By Amy Zion

Beatrix Ruf resigns as Stedelijk director over alleged conflicts of interest; Kehinde Wiley and Amy Sherald to paint the Obamas

Omer Fast, August, 2016

New York

16 Sep
29 Oct

What Luc Besson’s Valerian and a number of recent artists’ 3D films are getting right about our current reality

By Saul Anton

Aargauer Kunsthaus, Switzerland

By Jörg Scheller

Martin-Gropius-Bau, Berlin, Germany

By Christy Lange

Omer Fast's feature film adaption of Tom McCarthy's novel Remainder

By Bert Rebhandl
Omer Fast, Remainder, 2014. All images courtesy: Soda Pictures. Remainder will be released in the UK by Soda Pictures in 2015

Omer Fast’s film adaptation of Tom McCarthy’s book, Remainder

By Tom Morton
Omer Fast, Nostalgia, 2009, DVD still. Courtesy: the artist, gb agency, Paris and Arratia Beer, Berlin; photograph: Theirry Bal.

How artists visualize political reality through the artifice of fiction

By Katie Kitamura
Trevor Paglen, Untitled (Reaper Drone), 2010, c-type print, 1.2 × 1.5 m. Courtesy: the artist, Altman Siegel, San Francisco, Metro Pictures, New York, and Galerie Thomas Zander, Cologne

What do drones see? And how can we see them?

By Christy Lange