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Painting

Toyin Ojih Odutola’s portraits of a fictional aristocratic Nigerian family push toward an expanded definition of the ‘black experience’

Tracey Emin at Frieze New York 2018

Frieze Fairs - 05 May 2018

Tracey Emin talks about Xavier Hufkens (D25)’s solo presentation of her work at Frieze New York 2018

Mira Schor in her studio, New York City, 2018

Frieze Fairs - 19 Apr 2018

Mira Schor explains the relevance of her Frieze New York 2018 presentation, ‘Unseen Dick Paintings: 1988-91’

Madeleine Thien takes a look at a celebrated painter who merged Western composition with Chinese brush-and-ink style

The artist's layered, tender paintings consider the history of being seen and touched by black women

‘A countercultural beacon’: Ian Bourland reflects on the artist’s remarkable, six-decade career

A year marked by new visualizations, both controversial and celebrated, of the black body

Reena Spaulings, ‘bad painting’ and the institutionalization of Institutional Critique

Will Elliott speaking at Colnaghi, London

Frieze Fairs - 01 Oct 2017

Will Elliott of Colnaghi reveals the stormy history of an exquisite French portrait going on view this week at Frieze Masters

Jacob van Hulsdonck, A Still Life of a Laid Table, with Plates of Meat and Fish and a Basket of Fruit and Vegetables, undated. Oil on panel, 72 × 104 cm. Courtesy: Johnny Van Haeften, London

Meditations on still life

Dan Fox looks at the work of Mark Bradford, who represents the US at this year’s Venice Biennale

Charles Burchfield, Summer, 1926, watercolor gouache, charcoal, and pencil on joined paper, mounted to board, 62 x 74 cm. Courtesy: The Charles E. Burchfield Foundation, Courtesy DC Moore Gallery, New York and Metro Pictures, New York

Metro Pictures, New York, USA