Paul Teasdale

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A brief look at arts funding, the future of museums, and the dangers of efficiency

BY Paul Teasdale |

With a solo presentation at Frieze London, Melvin Edwards discusses symbols, self-expression and his work in the Tate’s ‘Soul of a Nation’ show

BY Paul Teasdale |

A guide to the off-site shows in Venice this week

BY Paul Teasdale |

Ahead of the public opening of documenta 14 this Saturday, a look at what we already know from ‘Learning from Athens’

BY Paul Teasdale |

The new director of London's ICA discusses rebuilding, restructuring and the integrity of culture

BY Paul Teasdale |

Mnuchin Gallery, New York & The George Economou Collection, Athens

BY Paul Teasdale |

To accompany frieze.com hosting his latest film for a limited period, London-based artist Steve Bishop gives an insight into how it came about

BY Paul Teasdale |

Sol Calero and Christopher Kline talk about their collaborative project, Conglomerate TV

BY Paul Teasdale |

Does looking at, or reading, something online change its meaning?

BY Paul Teasdale |

Frieze Projects curator, Cecilia Alemani, on commissioning process

BY Paul Teasdale |

On exits and exiles

BY Paul Teasdale |

On collective memory and personal experience

BY Paul Teasdale |

Cold portraits and warm-hearted annotations

BY Paul Teasdale |

How humour feeds painting

BY Paul Teasdale |

With 'Burning Down the House', Jessica Morgan proves her though and testing nature

BY Paul Teasdale |

New shows, same old problems

BY Paul Teasdale |

Claire Bishop versus the Internet

BY Paul Teasdale |

How can the genre attract a younger audience that might not have any engagement with the deeply furrowed traditions ingrained in its production, performance and reception?

BY Paul Teasdale |