Paul Teasdale

A brief look at arts funding, the future of museums, and the dangers of efficiency

By Paul Teasdale
  

With a solo presentation at Frieze London, Melvin Edwards discusses symbols, self-expression and his work in the Tate’s ‘Soul of a Nation’ show

By Paul Teasdale

With the Kassel leg of documenta 14 opening to the public on Saturday, here’s what you need to know

By Paul Teasdale

A guide to the off-site shows in Venice this week

By Paul Teasdale

Ahead of the public opening of documenta 14 this Saturday, a look at what we already know from ‘Learning from Athens’

By Paul Teasdale

The new director of London's ICA discusses rebuilding, restructuring and the integrity of culture

By Paul Teasdale
David Hammons, The Wine Leading  the Wine, c.1969, body print, 1 × 1.2 m. Courtesy: George Economou Collection, Athens; photograph: Bill Orcutt 

Mnuchin Gallery, New York & The George Economou Collection, Athens

By Paul Teasdale

To accompany frieze.com hosting his latest film for a limited period, London-based artist Steve Bishop gives an insight into how it came about

By Paul Teasdale
Sol Calero and Daphne Maimon, 

Sol Calero and Christopher Kline talk about their collaborative project, Conglomerate TV

By Paul Teasdale
Illustration by Lauren Rolwing

Does looking at, or reading, something online change its meaning?

By Paul Teasdale
Cecilia Alemani

Frieze Projects curator, Cecilia Alemani, on commissioning process

By Paul Teasdale

The frieze digital editors select their highlights from the recently opened Glasgow International Festival

By Harry Thorne and Paul Teasdale