On exits and exiles
On collective memory and personal experience
Cold portraits and warm-hearted annotations
How humour feeds painting
Various venues, Gwangju, South Korea
New shows, same old problems
How … it works
Claire Bishop versus the Internet
How can the genre attract a younger audience that might not have any engagement with the deeply furrowed traditions ingrained in its production, performance and reception?
Does theology hold the answer for revolutionary politics?
Low-resolution images, installations and curated film programmes; desire, politics and poetry